Today most warnings about the future fall into the category of science fiction. Prior to World War II this included books like Yevgeny Zamyatin's "We" and Huxley's "Brave New World", and later Orwell's "1984". It's noir taken to its logical end point.Įvery generation has had books and movies that have contributed to our collective understanding of reality. But more than that, it is a perverse continuation of noir. The title itself, the unimaginative "Film Noir", lets us know that this is an embodiment of all things noir.
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The film trawls a pop-culture past, absorbing noir clichés, signifiers and details and then spitting them back out at us as a series of referentials. It's an onslaught of aesthetics, the film creating a cosy space which half exists on screen and half exists in your imagination. With its rain swept cityscapes, jazzy soundtrack, hardboiled characters and lush narration, this is a film completely in love with all the signifiers of noir. Five minutes into the film and the audience is hooked. What's worse, Rodney is being thrown a surprise birthday party by the entire LA police force. Problem is, Rodney is the name of the cop he just murdered. Desperate for answers, he drives to the house of Rodney, an address and name which he finds on a small slip of paper. He has no memory, no idea who he is, what happened and why he killed this police officer. We quickly realise that our protagonist is amnesic. He finds a gun in his hand and the corpse of a dead LA policeman at his side.
The film opens with our noir hero coming to consciousness under the famous Hollywood sign.
Just when you think you have it figured out, you're hit with another sharp left turn. In fact, complex twists and turns in the plot keep you involved. It manages to do the LA police/detective/murder story without lapsing into clichés. You can almost feel the heat, the sweat, and the grime, courtesy of the borderline-masochistic attention to detail in every frame of every scene of animation. Add to this the rise of a powerful breed of psychics (or 'psionics') capable of various degrees of telepathy and telekinesis, and somehow linked to a top secret military project known as Akira, and Neo-Tokyo seems ready to explode. Rebuilt from the ashes of World War 3, it's a technological dream of neon, computers and soaring science, mated to the social nightmare of corrupt politicians, a rampant military and an oppressed working class. So what is Akira? It's a Japanese animated film, an adaptation of 2,000 pages worth of graphic novel by Katsuhiro Otomo and set in the futuristic world of Neo-Tokyo. Without Akira, there is no Matrix, and with no Matrix, you have to wonder how very different Western cinema would be today. Finally, its role in the history of film was cemented with the release of mega-hit, the Wachowski brothers' The Matrix. Japanese animation now has a firm presence in our media, and so many paths lead back to the cultural genesis of Akira. Hollywood began to sit up and pay attention after teens began abandoning the pap of the day like Last Action Hero, and started seeking out something different, dissident, and Akira finally had its audience.
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Rather than suffering the humiliation of being advertised, Akira filtered, like a software virus, into the bedrooms of what would become Generation X. Oddly, this made its influence even more profound, benefiting from 'word of mouth' and the influx of cheap VHS at the end of the Eighties. Its impact is made more difficult to judge, though, given that it was made more than sixteen years ago, and didn't make an initial impact outside of Japan. 'Akira' is an astonishingly influential film, easily as much so as cinema's touchstones Citizen Kane and Pulp Fiction. Telekinesis/Psychokinesis/Telepathy Movies :- ġ1. Thrillers featuring Disabled Individuals :- ĩ. Entertaining B Movies with Ridiculous Plots :- ħ. ******Other Similar Lists about Entertaining Movies*****ġ.
Animated Cartoon Movies for Grown Ups or Adults.